John Oswald has for four decades explored the outer fringes of perception in listening, creating situations where any visual input is negated, or where a single aspect of sound is surveyed, such as the 2000 work 'Aparanthesi' which is made up exclusively of one note in ten octaves morphing through many recognizable settings. He has been devising compositions from appropriated musical sources since the late '60s. His 1975 track 'Power' married frenetic Led Zeppelin guitars to the impassione...
Read more: Wikipedia
