One of the most prolific B-movie composers, Albert Glasser started off as a copyist in the music department at Warner Brothers in the late 1930s, learning the art of film scoring from scratch while working under such big guns as Max Steiner and Erich Wolfgang Korngold. He graduated to orchestrating, and by the mid-'40s was composing and directing his own scores. A hard, fast worker, Glasser found his musical skills put to the test in the frantic, down-to-the-wire world of B-picture making. He sc...
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