A prime master of Swedish light, Jens Fischer is a cinematographer in the tradition of DP's like Julius Jaenzon, Sven Nykvist and his own father, Gunnar Fischer. He grew up observing his father's collaboration with Ingmar Bergman on historic films such as El séptimo sello (1957), Fresas salvajes (1957), Un verano con Mónica (1953) and El rostro (1958), while participating himself in front of the camera on Tres mujeres (1952). After studying Art and Music History at the Sorbonne Uni...
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